Showing posts with label Week Four. Show all posts
Showing posts with label Week Four. Show all posts

Friday, February 12, 2016

Week Four Storytelling: Lakshmana

He often sat alone crying in silence in the back room.  There were lit candles placed everywhere and the fragrance of myrrh filled the room.  The drapes were always shut, and the fireplace was lit. It was there in the corner of the room where you would find him. Sitting on the floor behind the chair and leaning against the wall.  In this place he was able to escape from his mother and brothers, and think about the love that he wished was his.  His mother would tell him,

“Be careful not to shame our family, and admire the things that Rama does. He is after all, the wisest and most responsible out of you and your brothers.” 

Rama was the eldest and deemed wise beyond his years. However, to Lakshmana there was nothing special about Rama.

It was not long ago when my brother Rama married a beautiful woman from a city nearby.  I often wondered what she saw in him that made him pleasing to her eyes.  Many days we would go into the garden behind our parents’ palace, and we would sing and dance around the well and play in the fields of flowers.  I would watch her hair as she would spin around, and listen to her bangles clank as her laughter filled the air.  She was free.  She would run to the stone bench where I sat, wanting me to hold her hands and swing her around in circles.  My brother would sit with his back against the rocks sharpening his arrows, telling me to entertain her. 

“Dance,” Rama would say, “Twirl her around like the angel she is.”

I would peek at her face while she squinted her eyes when we twirled around.  I would admire her beauty.  Beautiful she was indeed.  Her skin was kissed by the rays of the sun and her eyes reminded me of the honey that we would take from bees. She would laugh until she couldn’t laugh anymore, and we would always fall into the grass and gaze at the sky. She would hold my hand and ask me if I ever dreamed of dreams, and if I would ever find a love like the one she shared with Rama.



“WHAT ARE YOU DOING?” Sumitra yelled.

“Nothing,” Lakshmana said while wiping his eyes,

“Your wife Urmila is looking for you, and your brother is back from his journey.”



I didn’t want to go see Rama.  I had not forgiven him for what he made me do to Sita.  Many nights I would sneak away to go see Sita after Rama banished her from Ayodhya. It was she who kept us together when Rama was sentenced to exile twenty-six years ago, and inspired us to push ourselves to defeat Ravana when we were in battle.  Sita worshiped the very ground that Rama walked on, and now when he hears her name, he pretends to hear nothing at all.  I replay that day every day in my mind.  Seeing her screaming and crying while Rama dragged her out of the palace doors telling her to leave because he felt betrayed. He told me take her across the Ghaghara River where he knew she would be isolated from the world. He punished her for something she did not do.  Rama wanted her to die, and he sentenced me to take her to her death. In a field of marigolds she lay when I saw her last.  She gazed upon the stars asking the gods to bless Rama with good health and energy. Her belly was filled with children and she was too weak to move.  I fed her and then carried her inside the home that I built for her.  I wanted her to idolize me the way she did Rama, but I know she believes that her and my brother’s souls are connected.  



Author's Note: In The Ramayana written by R.K. Narayan, the character Lakshmana is portrayed as a faithful brother who possesses close ties with his eldest brother Rama.  Rama and Lakshmana’s relationship is different in comparison to their relationship with their other brothers.

Before Rama and Sita married, sage Vishwamitra asked for Rama to journey with him to kill the Rakahasas who were disturbing his fire sacrifice. When sage Vishwamitra received the approval of King Dasharatha, Rama left with sage Vishwamitra and was joined by his younger brother Lakshmana.  When the three traveled to Mithila, it was there where Rama and Sita first connected eyes.  When the two wedded, the men and Sita traveled back to Ayodhya where Rama and Lakshmana’s father ruled.  Rama and Sita’s marriage was filled with happiness and love.

In later years, King Dasharatha believed that his eldest son Rama should rule the kingdom.  When Rama’s stepmother Kaikeyi found out, she reminded King Dasharatha of the promise he made to her.  He promised Kaikeyi that he would crown their son Bharata the king of Ayodha.  She also had Rama sentenced to exile in the forest for a period of fourteen years.  Lakshmana joined his brother Rama and wife his exile.

Unlike the traditional version of the epic, in Sita Sings the Blues, Lakshmana plays a small part but the audience is able to visually see his emotions being expressed.  When Sita is abducted by Ravana, Rama and Lakshmana go to war and defeat the demon king Ravana.  When they return back to Ayodhya, the townsmen begin to question the fidelity of Sita during the time of her captivity.  Rama believes that in order for his people to take him seriously, he must send Sita to exile.  Lakshmana takes Sita away from Ayodhya.  The two travel by boat and Lakshmana drops Sita off in the middle of nowhere.  It is in this scene where the audience sees Lakshmana affected emotionally by Sita's banishment more so than Rama, who only wants to test Sita's fidelity no matter the cost. 



Bibliography: "Sita Sings the Blues" Nina Paley (2008)
                         "The Ramayana" written by R.K. Narayan (1977)

Thursday, February 11, 2016

Week Four Reading Diary Continued: Sita Sings the Blues, Nina Paley

In the second half of Sita Sings the Blues, the characters Nina and Dave start to evolve more.  We see them in the first half as this loving couple that lives in San Francisco who are shown throughout the movie in glimpses.  Dave starts to distance himself from Nina after moving to India for his job.  When Dave is on a long distance call with Nina, he tells her that his job has decided to extend his contract, and Nina wonders where she stands in Dave’s life.  After visiting Dave in India, Nina sees a different side of him. He is no longer affectionate towards her, and he treats her as if she’s a random woman he met off the street.


Their relationship in the movie is symbolic.  It is referenced towards Rama and Sita’s marriage.  After Rama defeats Ravana, Rama feels that Sita’s purity is unknown.  She has lived with Ravana for months, and he doubts her faithfulness since she has lived in another man’s presence.  When Sita proves to Rama that she had not betrayed Rama, he takes her back to Ayodhya where Sita then claims that she is pregnant.  The people began to speak down on Rama and he believes that he cannot properly rule as a king if his people cannot respect his decisions regarding Sita, so he banishes her. 


The three narrators of the story (the shadow puppets) began to debate about this.  On one hand Sita is showing her devotion to Rama.  She continues to pray and channel her energy and good thoughts towards him, while she is in exile.  It is argued that Sita is displaying unconditional love, and because of this she’s considered to be dumbfounded.  Moreover, we see Nina who receives an email from Dave, ending their relationship.  Nina later calls Dave and asks for him to take her back.

At the end of the movie, Rama resurfaces back into Sita’s life only in hopes of taking his sons back to the city with him.  Once again Sita must prove her faithfulness to Rama and because of this; she calls on Mother Earth and lives her last days in the heavens; whereas Nina finds comfort in being alone after taking control of her life and happiness.


These women displayed throughout their relationships their admiration and content with their partners, and in the end are left alone because of either insecurity or lack of interest.  They took a hold of their destiny to find themselves happy alone without the pressure of finding approval through their men’s eyes.    




 Bibliography: "Sita Sings the Blues" Nina Paley (2008)
                        "The Ramayana" written by R.K. Narayan (1977) 

Wednesday, February 10, 2016

Week Four Reading Diary: Sita Sings the Blues, Nina Paley

            Nina Paley’s rendition of The Ramayana is astonishing.  Sita Sings the Blues is a comedic satire in a sense, but is very much enjoyable.  The introduction to the movie is pleasant, and I love how she introduced the main characters in the beginning by showing their actions and interactions with each other without the use of words.  Paley used various images of each character, which I thought was interesting because after reading Narayan’s version of The Ramayana and researching images for each assignment, I was able to identify the characters easily without question. I did notice that Lakshamana did not play a role in the story as he did in Narayan’s version of the epic, and Paley’s version was very much straight to the point.  Paley did not give a lot of background information on the epic, but she gave enough for the audience to understand what was happening.

            Aside from Rama and Sita, we have three characters that are narrating the story.  These characters play an important role by recalling what time period the epic took place and details that may have happened between the characters by using gap-filling. What I like most about these characters is that they brought up things that I questioned when I was reading The Ramayana.    


            Ravana is seen as a foul and demented character, but not once did he force himself on Sita. Sita was held in captivity for months at a time, and each time that he visited her, he would only remind her that it would be him and her in the end.  I will point out that he used his female guards to torment her, but not once did he ever touch her.  Ravana was philosophical and he showed piety when he prayed, which are details that the narrators pointed out that readers often look over.
  




 Bibliography: "Sita Sings the Blues" Nina Paley (2008)
                        "The Ramayana" written by R.K. Narayan (1977)